Bishnoi Village is located at a distance of 25 kilometers from Jodhpur, Rajasthan, India. Khejri tree groves, deer herds, peacocks and migratory birds make it a serene location.

Origin Of The Bishnois

The sect was founded by Guru Jambheshwar (b. 1451) after wars between Muslim invaders and local Hindus. He had laid down 29 principles to be followed by the sect. Bish means 20 and noi means 9. Thus, Bishnoi translates as Twenty-niners. Killing animals and felling trees were banned. Before his death, he has stated that the black buck was his manifestation after death and should be conserved. The Khejri tree (Prosopis cineraria), is also considered to be sacred by the Bishnois.

There are manmade lakes located in the Guda Bishnoi Village where migratory birds stop and drink water.

Lovers Of Wild-Animals

Bishnois are strong lovers of wild animals. It is because of their protection that in Bishnoi dominated areas, deer and antelope(such as blue bulls, black bucks, chinkaras and chowsinghas) are seen grazing peacefully in their fields.

Amrita Devi And The Khejarli Massacre

The origins of the Chipko movement can be traced back to the Bishnois. On a Tuesday (The 10th day of the month of Bhadrapad according to the Indian lunar Calendar) in 1730 A.D., Amrita Devi, a Bishnoi woman was at her home with her three daughters (Asu, Ratni and Bhagu bai) when she came to know that a number of people had descended on their otherwise sleepy village of Khejarli. The name Khejarli was derived from "Khejri", since these trees were found in abundance in the village.The people were a party of men sent by Maharaja Abhay Singh, the ruler of the kingdom of Jodhpur in the Marwar region, who wanted to fell green Khejri trees to burn lime for the construction of the Maharaja's new palace. Since there was a lot of greenery in the Bishnoi villages even in the middle of the Thar Desert, the king ordered his men to get the wood by cutting the Khejri trees.

Amrita Devi protested against the Maharaja's men who were attempting to cut green trees as it was prohibited according to Bishnoi principles. The malevolent feudal party told her that if she wanted the trees to be spared, she would have to give them money as bribe. She refused to acknowledge this demand and told them that she would consider it as an act of insult to her religious faith and would rather give away her life to save the green trees. It is at that stage she spoke these words:
Sar santey rookh rahe to bhi sasto jaan
(If a tree is saved even at the cost of one's head, it's worth it)

Saying these words, she offered her head. The axes, which were brought to cut the trees, severed her head. The three young girls Asu, Ratni and Bhagu were not daunted, and offered their heads too.

The news spread like wildfire. The Bishnois of Khejrali gathered and sent summons to their counterparts in eighty-three Bishnoi villages in the vicinity to come and decide on the next course of action. Since the supreme sacrifice by Amrita Devi and her daughters had not satisfied the royal party, and the felling of green trees was continued, it was decided that for every green tree to be cut One Bishnoi, volunteer would sacrifice his/ her life. In the beginning, old people voluntarily started holding the trees to be cut in an embrace as in the 20th Century Chipko Movement.
Despite many valiant old persons, giving away their lives, the Hakim (the royal party's leader) , Girdhar Das Bhandari, taunted the Bishnois that they were offering unwanted old persons. Soon, young men, women (including recently married ones) and children were sacrificing themselves in a similar manner.
There was intense pandemonium. The tree-felling party was badly shakhen. They left for Jodhpur with their mission unfulfilled and told the Maharaja about what had happened. Soon as he learnt about it, he ordered the felling of trees to be stopped.
By that time, three hundred and sixty three (363) Bishnois, young and old, men and women, married and unmarried, rich and poor, had already become martyrs.

Honouring the courage of the Bishnoi community, Maharaja Abhay Singh, apologised for the mistake committed by his officials and issued a royal decree, engraved on a copper plate ordering the following:

All cutting of green trees and hunting of animals within the revenue boundaries of Bishnoi villages was strictly prohibited.

It was also ordered, that if by mistake any individual violated this order, he would be prosecuted by the state and a severe penalty imposed.

Even members of the ruling family, would not shoot animals in or near Bishnoi villages.

Although, Bishnois paid a huge price for saving a few trees, this incident had inspired, and will continue to do so in future, many others to fight and protect trees and wild life.

Trivia

Bishnois are known to be very violent and aggressive in protecting trees and wildlife. It is said that if you are a hunter, then the worst thing that could happen to you is to be caught hunting by a Bishnoi.

Unlike most Hindu communities, Bishnois bury their dead instead of cremating them. This is because of the strict prohibition on the felling of trees, the wood of which is required for cremation.

In October, 1996, Nihal Chand Bishnoi sacrificed his life for protecting wild animals. A film, Willing to Sacrifice, based on his story won the award for the Best Environment Film at the 5th International Festival of Films, TV and Video Programmes held at Bratislava, Slovakia.

Amber Fort also known as the Amer Fort is located in Amber (Jaipur), which used to be the capital of the Kachhwaha clan, till Jaipur was made the official capital in 1727. The Amber Fort looks stunning, all-built in white marble and red sandstone. To add to its charm, Maotha Lake makes its foreground. The crystal mirror image of the Fort, on the still waters of the lake, seems to be a beautiful illusion. In 1592, construction of the Fort was started by Raja Man Singh I. However, the Amber Fort took its present form during the reign of Raja Jai Singh I.

The outer appearance of the Fort, being rough and craggy is totally different from its core. The interior of the Fort provides a soothing and warm ambience, which is least expected from its outer appearance. The marvelous decoration of the Amer Fort is influenced by both, the Hindu and Muslim manner of ornamentation. Exquisite paintings of hunting scenes on the walls depict the temperament of the Rajputs, who were adventurous, revolutionary and self-indulgent.

The intricate carvings on the walls and ceilings simply astonish the visitors. The minute mirror work adds to the grand appearance and royalty of the halls. The Amer Fort undoubtedly captivates the tourists with its artistic quality of delicate work. The mighty walls guarantee the protection of the Fort against the invasion of the enemies. The Fort is divided into four subparts.

Kali Temple, which is also known as Shila Devi Temple, forms the part of the Fort. It is renowned for its glorious past, huge silver lions and silver doors. The Hall of Public Audiences, Diwan-I-Aam is a pavilion with double row of columns. Ganesh Pol, another feature of the Fort, directs the way to the inhabited apartments of the King. The Hall of Victory, Jai Mandir has a stunning ceiling comprised of mirror work and an inlaid panel. The Fort has numerous other halls and pavilions with their own specific attraction.

The best part of this is situated on a crafty hill, the royal elephant ride. The flawless beauty of the Fort can be enjoyed royally with an elephant ride. Amber/Amer Fort is the part of Jaipur and its royalty. A trip to Jaipur would be definitely incomplete, without the visit to this imperial Fort of Amber.





How to reach

You can reach Amber Fort either by taking local buses from the jaipur city or by hiring taxis.

City Palace forms one of the most famous tourist attractions and a major landmark in Jaipur. The beautiful palace was built by Maharaja Sawai Jai Singh during his reign. Among the various forts and palaces of Jaipur, City Palace stands apart, with its outstanding art and architecture. City Palace complex covers a huge area, which is divided into a series of gardens, courtyards and buildings. Initially, Raja Jai Singh built the outer wall occupying a huge area. The additional grand buildings were constructed later by the succeeding rulers.

A part of the exquisite Palace still makes home for the former Maharaja/ King. The premises consists several buildings like Chandra Mahal, Mubarak Mahal, Mukut Mahal, Maharani's Palace, Shri Govind Dev Temple and the City Palace Museum. One would come across the Mubarak Mahal, as one enters the first square. Mubarak Mahal was built by Sawai Madho Singh in the 19th century to entertain his guests. Today, it has converted into a costume gallery, which displays royal attires of the Kings.

After crossing the first square, a beautiful gateway welcomes to Diwan-I-Khas, a hall meant for private audience. It has two sterling silver vessels on display and they are acclaimed to be the world's largest silver vessel. These vessels were made for Maharaja Sawai Madho Singh II to carry water from River Ganga to drink on his trip to England. Diwan-I-Aam, which was meant for public audience, forms the other attraction of this courtyard. At present, it makes an art gallery showcasing enthralling painted ceilings and rare ancient handwritten original manuscripts of Hindu scriptures.

In the series, Maharani's Palace, which was meant for royal queens, has been converted into a museum, showcasing weapons dated back to 15th century. Chandra Mahal is essentially regarded as the best part, out of the whole tour to City Palace. It has seven stories and each story is known by a different name. The topmost story is known as Mukut Mahal. The wonderful architecture of this Palace with delicate paintings, mirror work on walls and floral decorations, makes it a "must-see" for every visitor. In the present day, this palace serves as the residence of ex-ruler.

Badal Mahal stands opposite to Chandra Mahal and while crossing the path, one would find Govind Dev Ji Temple between them. Above all these, the Palace also offers delicacies in its multi cuisine restaurant. To sum up, the City Palace is a structure of historical importance and a souvenir of the regal past. The palace, with its royal grace stands as a symbol of magnificence. All these features of City Palace leave the tourists with no other option, but to visit it.

Udaipur was the capital city of the Rajput kingdom of Mewar, ruled by Sisodia clan. Before Udaipur, Chittorgarh was the capital of Mewar. But after the conquer of Chittorgarh by Mughal emperor Akbar in 1568, Umed Singh fled to Udaipur and founded a new city. It remained a part of the Mughal empire after prince Khurram crushed the Rajput resistance in 1614. During mid 17th century, the ruling Sisodia dynasty prospered under Mughal patronage. But with the decline of Mughal empire in 19th century, the Rajput kingdom reasserted its power and became a princely state of British India. After India gained independence in 1947, Mewar was integrated into India's Rajasthan state.

Places To Visit

Known as the city of lakes, Udaipur offers a wide range of tourist attractions

City Palace

Lake Palace

Built in 1746 by Jagat Singh, it was the summer residence of the ruler of Mewar. This magnificent white marble structure has balconies, terrace gardens, arched windows and the interiors are decorated with paintings, mirror & crystal. Now, it has been converted into a heritage hotel and offers some breathtaking views of the surroundings.

Lakes

Lakes are the major attractions of this city. Lake Pichola and Lake Fateh Sagar are the two most important lakes of the city. Surrounded by hills, palaces & temples these lakes offer boat trips that provides some evocative views to its tourists.


Geographical area & population

Located at the foot of the Aravali hills, the lake city of Udaipur is at an altitude of 577 m above sea level. With an area of 37 sq. km. the city has a population of 3,66,000 according to the 2001 census. The city lies between latitude 24.35 degree north and longitude 73.43 east. The city experiences a tropical climate with a maximum temperature of 38.3 degrees C during summer and a minimum of 11.6 degrees in winters. The annual total rainfall is 61 cm.

Geographical area of City : 37 sq. km.
Population of City : 3,66,000(2001 census)

The lake city of Rajasthan, Udaipur attract tourists from all over the world for its terrific lakes and magnificent historic monuments. The city also offers comfortable stay in various exotic heritage, luxury and budget class hotels with best hospitality. The hotels offers all kinds of modern facilities for making your tour to Udaipur a comfortable and memorable one. Amongst the leading hotels in Udaipur are :

Fairs & Festival of Udaipur

There are several festivals celebrated in Udaipur with much fanfare and enthusiasm by people of all walks of life. The Mewar festival is one of the most important festival of Udaipur, which is celebrated to welcome the advent of spring. Gangaur and Teej are other festivals which are celebrated with a lot of joy in different part of the city. Rituals associated with religions, cultural events including songs, dances are major part of each festival.

Access

The Lake City is easily accessible from all parts of India by Air, Rail & Road.

By Air
Maharana Pratap(Dabok) Airport is the nearest airport which is 24 km from the city centre. Regular flights connect the city with Delhi, Jaipur, Jodhpur, Ahmedabad, Aurangabad & Mumbai.

By Rail
Indian Railway connects Udaipur to all the major cities of India via Chittorgarh. The heritage train Palace On Wheels also covers the city.

By Road
A good network of road service links it with all the major cities of Rajasthan & India. Udaipur is on the NH8 that links Delhi to Mumbai via Jaipur and Ahmedabad.

Standing almost 30 m above the city of Jaisalmer is the Jaisalmer fort. The fort is also known as the Sonar Quila. This is because standing against the backdrop of the desert with its golden sand, the fort looks straight out of a fairy tale. Sonar Quila of Jaisalmer is a massive complex comprising of a palace, various security sources, the havelis of rich merchants, several temples and the residential complexes of the armies and traders.

During the reign of the Bhatti Rajputs, the Merchant community acquired great deal of power. They constructed huge mansions (havelis) adjacent to each other. The havelis of merchants have decorations on walls and ceilings and carvings on outdoors and interiors. The sandstone mansions of the merchants were built by stone craftsmen. The sculptural filigree, screen windows, delicate pavilions and beautiful balconies of the mansions are worth paying attention to. Even today, these examples of superb architecture stand inhabited.

Also enclosed within the fort is an entire living area within huge ramparts. The walk to the fort, through the narrow lanes, is an experience in itself. Leading to the fort are its four gates Ganesh Pol, Suraj Pol, Bhoot Pol and Hawa Pol. The Jaisalmer fort of Rajasthan also encompasses a group of Jain temples dating back to the 12th century.

Reaching Jaisalmer Fort

By Air
The nearest airport is at Jodhpur, 285 Km away from Jaisalmer.

By Rail
Jaisalmer is connected to rest of India by well-laid railway tracks.

By Road
Jaisalmer is connected to other parts of Rajasthan and neighboring states by a well-developed network of roads.

Perched on a 150 m high hill its sprawl is the most formidable and magnificent fort in Rajasthan. Rao Jodha founded it in 1459 but subsequent rulers of Jodhpur have also added to it over the centuries. A meandering road leads to the from the city 5 kms below. Battle scars of canon ball hit by attacking armies of Jaipur can still be seen on the second gate.

To the left is chhatri of Kirat Singh Soda, a soldier who fell on the spot while defending the fort against the armies of Amber. There are seven gates, which include Jayapol meaning victory built by Maharaja Man Singh to commemorate his victories over Jaipur and Bikaner armies. Fattehpol also meaning victory gate was built by Maharaja Ajit Singh to mark the defeat of Mughals.

And Lohapol meaning iron gate has a moving memorabilia on palm print of the queens of Maharaja Man Singh who threw themselves on his funeral pyre in an act of sati [self-immolation]. The palm imprints still attract devotional attention and are covered by vermilion paste and paper-thin silver foil.

Mehrangarh fort is about 5km from Jodhpur Town. Guarding the city below, crowning a perpendicular cliff, the fort was founded by Rao Jodha in 1459 AD when he shifted his capital from Mandore.

Standing sentinel to the city below, it over looks the rugged and rocky terrain and houses a palace intricately adorned with long carved panels and latticed windows exquisitely wrought from red sandstone.

The apartments within, have their own magic -the Moti mahal (Pearl Palace), Phool Mahal (Flower Palace), Sheesh Mahal (Mirror Palace), Sileh Khana and Daulat Khana with a rich varied collection of palanquins, howdas, royal cradles, miniature paintings of various schools, folk music, instruments, costumes, furniture and an impressive armoury.

The display of cannons on the ramparts near Chamunda temple is among the rarest in India. As you climb up, folk musicians revive the grandeur of a bygone era.

Fort Museum

This is one of the finest museums in Rajasthan and certainly the best layed out. In the palanquin section of the fort museum, you can see an interesting collection of old royal palanquins including the elaborate domed gilt Mahadol palanquin, which was won in a battle from the Governor of Gujarat in 1730. The museum exhibits the heritage of the Rathores in arms, costumes, paintings and decorated period rooms.

Phool Mahal

The grandest of Mehrangarh's period rooms, the Phool Mahal was in all likely hood a private and exclusive chamber of pleasure dancing girls once swooned in exhaustion here under a ceiling rich in gold filigree. The Phool Mahal was created by Maharaja Abhaya Singh (1724-1749) and the gold came from Ahmedabad in Gujarat as war booty after his famous victory over the rebellious Mughal governor, Sarbuland Khan. The paintings, royal portraits and the ever-popular raga mala, came much later, in the reign of Jaswant Singh II.

Jhanki Mahal



The Jhanki Mahal, from where the royal ladies watched the official proceedings, in the courtyard, today houses a rich collection of the royal cradles. The cradles are decorated with gilt mirrors and figures of fairies, elephant and birds

In 1458, secure in his dominion, Jodha became the fifteenth Rathore ruler. The Raj Tilak or formal anointment of the prince, necessary because it vests in the man divinity, was performed by his elder brother Akhairaj, Ranmal's rightful heir who renounced his claim in favor of his younger brother because the latter had reconquered every inch of Marwar himself..

Within a year of his accession Rao Jodha decided to build a new capital. The fort in Mandore, already over a thousand years old, was no longer considered strong and safe. In doing so he bequeathed to India one of her greatest forts and most beautiful cities.

The foundation of this fort was laid on 12th May,1459 by Jodha himself on a rocky hill six miles south of Mandore. The hill, a hundred and twenty meters high, was known as Bhakurcheeria, the Mountain of Birds, or Cheeriatunk, the Bird's Beak. Its lone human occupant at the time was an old hermit called Cheeria Nathji, the Lord of the Birds.( Even today the fort is home to thousands of birds, particularly the Cheel or Kite, the sacred bird of the Rathores.)

Auspicious though the day, it was not a smooth beginning for Jodha because the disturbed hermit left his cave cursing the invaders of his solitary world. His curse, impossible to forget even today, "Jodha! May your citadel ever suffer a scarcity of water!" A terrible curse anywhere, in Marwar heralding doom itself. Undeterred Jodha continued with his construction but he did take some measures to appease the gods. Besides building a house for Cheeria Nathji in his new city he also constructed a temple in the fort very near the cave the hermit used for meditation. The cave and temple together with a pond in front form an enchanting spot today. And over five hundred years later fresh flowers are still placed every morning in the temple to placate the irate hermit...

Jodha then took the extreme step to ensure the new site proved propitious; he buried a man alive in the foundations. The man was Rajiya Bambi (Meghwal) and he was promised that in return his family would forever more be looked after by the Rathores. It was a promise that has been honored and Rajiya's descendants continue to enjoy a special relationship with the Maharaja. A proud family they still live in Raj Bagh, Rajiya's Garden, the estate bequeathed by Jodha.

Rajiya's fate is an established fact of history but there are sources, albeit less reliable, which record three other human sacrifices in the foundations of Jodha's fort. Four in all, one for each corner if these sources are to be believed. Of the three one is held to be Rajiya's son and another a Brahmin named Mehran, both improbable choices. It seems unlikely that Jodha would pick two men from the same family and a Hidu king sacrificing a Brahmin or priest does not ring quite true.

The controversy remains alive because these sources claim that Jodha named his new fort after Mehran. Today the fort is indeed called Mehrangarh, Mehran's Fort, and it has been for some time, but the origin of this name remains a mystery. Did Mehran really exist and was he offered to the gods? For the present these are secrets trapped in the depths of Bhakurcheeria. On the other hand the answer may, in fact, be quite simple; Mehr is a Rajasthani word for the Sun and it is not at all unlikely that the Rathores, who claim descent from the Sun, would name their first citadel in His honor.

Whatever Jodha named his fort, a citadel on which he spent all of rupees nine hundred thousand, it was very different from what the present Maharaja of Jodhpur, Gaj Singh II, inherited four hundred and ninety three years later. To begin with, it was much, much smaller; the extremities of the original fortress fall within the second gate today. As the Rathores grew more powerful Mehrangarh, at once a symbol of their glory and the basis of their strength, expanded. Every ruler left his mark and therein lies Mehrangarh's beauty, for it is today a magnificent blend of different reigns and ages, styles and influences, compulsions and dreams...

Its towering battlements, a hundred and twenty feet high, and stern walls, in places six meters thick, testify to the strength of Rao Maldev (1532-1562) in whose reign the Rathores reached the zenith of their power. The palaces, extravagant and exquisite edifices of peace and prosperity, whisper a thousand secrets; of machiavellian intrigues, dazzling riches and decadent pleasures under the imperial Mughal umbrella (1582-1739). The main gates, Fateh Pol and Jai Pol, sing of great victories, against the Mughals in 1707 and the Jaipur forces a hundred years later; while the lofty ramparts, fiercely brandishing Maharaja Abhaya Singh's (1724-1749) war trophies, proclaim them to the world...

Mehrangarh has never, not even once, been taken in a siege. Invincible and mighty, inspiring awe, admiration, envy and fear in friend and foe alike, Mehrangarh is the very spirit of the Rathores. Indeed, no historian, no white-whiskered royal retainer, no chronicle, no ballad, no poem can rival the Citadel of the Sun in bringing alive the story of the Rathores of Jodhpur. Every mile-stone in their adventure, every triumph, every act of courage is immortalized here in stone and mortar, marble and metal. The palaces, lavished with delicate friezes, record successful campaigns; cart-loads of war booty and caravans laden with imperial favor. The cenotaphs recount stirring tales of valor and sacrifice; cannon-ball marks on the walls speak of repulsed enemies; the hand-prints, tiny and graceful on the portals, weep in remembrance of faithful queens lost to the flames of Sati...

In 1459 AD, Rao Jodha, chief of Rathore clan of Rajputs, who claimed descent from Rama, the epic here of the Ramayana, laid the foundation of Jodhpur. A high stone wall protects the well-fortified city. The wall is nearly 10km in length and has eight gates facing various directions.

A valiant sentinel in the desert, on the eastern fringe of the Thar desert has the distinction of neither being a part of the Thar desert nor out of it. At best it is a doorway to the wonderland of sand dunes and shrubs, rocky terrain and thorny trees. The home of the Rathroes - the awesome princely state of Rajasthan. They conquered Marwar or Maroodesh, land of the sand after the fall of Delhi and Kannauj.

Within, stands an imposing fort on a low range of sandstone hills, about 125m above the surrounding plains. Invincible! And dauntless in its league with time! The city lies at the foot of the hills. The clear distinction between the old and the new city is visible from the ramparts of the fort.

On the other side of the city, facing the fort is the Umaid Bhawan Palace. One of the most spacious, sprawling and well-planned palaces in India. And from here, as you look at fort, a tantalizing view rises before your eyes at sunset.

The peculiar slant of the sunset lends the desert landscape an awe-inspiring glow and the people, a chivalry undaunted. This bustling desert city is the second largest city in Rajasthan after Jaipur and has landscape dominated by the massive Meherangarh Fort topping a sheer rocky ridge. The old city is fenced by 10 km long wall with eight Gates leading out of it. The new city is outside the walled city. Rao Jodha, a chief of the Rathore clan, founded the city in 1459 and it is named after him.

The Afghans drove the Rathores out of their original homeland Kaunaj and they fled to this region around Pali a short distance from present day Jodhpur. A manoeuvre lead to marriage between Rathore Siahaji and the sister of a local prince that helped the Rathores to establish and strengthen themselves in this region. In fact they flourished so well that managed to oust the Pratiharas of Mandore, just 9 km of present day Jodhpur.

By 1459 a need for more secured capital lead to the founding of Meherangarh Fort on its rocky perch and Jodhpur was thus founded by Rao Jodha. The Rathores enjoyed good relations with the Mughals and Maharaja Jaswant Singh (1678) supported Shah Jahan in the latter's struggle for war of succession. Only problematic relationship they had was with Aurangzeb.

After Auranzeb's death Maharaja Ajit Singh drove out Mughals from Ajmer and added it to Marwar. In the reign of Maharaja Umed Singh Jodhpur grew into a fine modern city. The quintessence of Jodhpur was its valour and equestrian skill. Polo has been the traditional sport of the Jodhpur nobility since medieval times.

Jodhpur has two railway stations, City and Rai ka Bagh both are outside the walled city. The bus stand is right outside the Rai ka Bagh Station. The High Court is a while from the bus stand after the Umed Gardens, after which is located the tourist reception centre and RTDC Hotel Ghoomer. Ahead is the main market and entry in to the wall from Sojati Gate.

This area also has many hotels. Jodhpur is also military and air force station and has a large cantonment and airbase.


Places to Visit

Mehrangarh Fort

Jaswant Thada

Built in the memory of Maharaja Jaswant Singh II , in 1899 , the imposing white marble memorial marks the site of a royal crematorium. The cenotaph houses portraits of successive rulers. These four cenotaphs commemorate notable acts of bravery, generosity of the four successive rulers.
Timings 0900 to 1700 hrs.

Umaid Bhawan Palace

Built by Maharaja Umaid Singh (1929 -1942) and named after him, this exquisite palace is also known as Chittar Palace because of the local chittar sandstone used. It is a splendid example, of Indo-colonial and art deco style of the 30s. A unique feature of this palace is the fact that the hand chiseled sandstone blocks have been put together in a special system of interlocking, there is not mortar binding.

Government Museum

Nestling in the middle of the Umaid Public Garden, this museum houses a rich collection of exhibits - armoury, textiles, local arts and crafts, miniature paintings. Portraits of rulers, manuscripts and images of Jain Tirthankars. Umaid Public Garden houses a zoo also. Timing : 1000 to 1630 hrs (Friday closed).

Girdikot & Sardarkot Market

Throbbing with activity, the colourful bazaar, near Clock tower, has narrow lanes dotted with tiny shops selling exquisite Rajashani textiles, handicrafts, clay figurines of camels and elephants, marble curios with inlay work and exquisite Rajasthani silver jewelry.

Maha Mandir Temple

Leterally, the great temple, a place where sacred glory reigns in a peaceful tranquility. Situated on Mandore road, the temple is an architectural splendor, supported by 84 pillars and ornamented with detailed designs and figures depicting various postures of Yoga. The entire structure is marked by a unique and original style.